From the album Mosaic: Classical Guitar Favourites. Check out La Catedral: I. Preludio Saudade – Agustín Barrios Mangoré by Rich Barry on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. Agustín Barrios Mangoré – La Catedral I Preludio Saudade power tab with free online tab player, speed control and loop. Download original Power tab.
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The contrasting sections are meant to represent the differences in his experience from the inside catedrla outside of the Cathedral. This is information I retrieved from interviews, written documents and blogs from some of the most dedicated professors, performers and historians on the music of Agustin Barrios. This concludes my little research of this magnificent composition.
Mangoré – La Catedral I. Preludio Saudade sheet music for Guitar
One of the main differences that we find in the account is in regards to which cathedral he used as an inspiration for the ls. Genio de la Guitarra by Candido Morales. But, we know as a fact that Gloria Zevan was with him at the moment of his death in August, in El Salvador.
This is why we can hear a clear contrapuntist style in the different movements and sections of this masterpiece. Several concert programs from Habana, Cuba and El Salvador witness this fact.
There are some differences in the facts shared by people about this masterpiece. For more information on the subject please refer to the following books: Generally, this kind of music was highly regarded by listeners, it was considered intellectual music.
So far, a pretty straight forward compilation of details; now the question, where are the differences in the accounts? Eaudade still in his sublime experience he walks out of the church and was shocked by all the chaos outside the walls of the church. It is said, he was sick at the time and he was staying at the hotel which was really close to the Cathedral at Montevideo.
Pictures of sheet music retrieved from: It is said that this composition was Barrios tribute to Bach.
“La Catedral” – Agustin Barrios Mangoré | Samuel Ortiz
This movement represents the abandonment of tranquility and the spiritual atmosphere he experienced inside the cathedral. This could have been one of the motives for the elaboration on the prelude and make it a whole suite. So what I want to do, is share peeludio information and historical background of this composition.
Historical Background on Repertoire. It was intended to portray the beauty and the extravaganza of the Catedarl period. Also, there is a discrepancy about this movement in regards to the motives for writing it.
This was his birthplace and it is said that after spending some time out of the city he came back to his home town and went to the cathedral. There is one belief that it was written because of financial eaudade and another that Barrios was suffering from a kind of depression that lead him to compose the prelude. Many believe xaudade because of these circumstances he decided to write this as a totally separate work.
“La Catedral” – Agustin Barrios Mangoré
Also, it clearly adds to the marks of religiousness and spirituality portrayed in the suite. So I decided to start reading and researching about the song. The differences found are related to places and motives for writing the composition.
On a different note, you may be wondering about the style of the suite. This undeniable fact is commonly agreed by all Barrios researchers. The story said that he was able to hear the bells of the church from his hotel room and that was his inspiration for the composition.
Also, as mentioned before, his woman at the time had died and he decided to write the prelude as a grief or mourning song. To my surprise, the information found on the subject is diverse. Regardless of the motivations for writing this movement, I believe we all agree that this prelude just enhanced the beauty of this incredible composition.
I believe that knowing the circumstances, motives and historical background in which a song was written can and should make a difference in your performance. Amir April 16, at 8: We could mention that half way in the 20 th century it was a common trend in Europe to write music with 3 movements. Therefore, they argue the name of this cathedral was wrong if this was Barrios source of inspiration.
It is by these two movements that he described his experience with the Cathedral.